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Wednesday, 13 April 2011

Raymond Cook's Why Have You Stayed Behind: Analysis of Plot


WHY HAVE YOU STAYED BEHIND?
Raymond Cook


Every Sunday morning just past 9am, I'd arrive at the Longbranch Cemetery to mow the grounds. This morning though I would discover would be very different. For near a headstone which showed a child's face, I stopped to take a break. After a few moments, I crawled over to the headstone to rub off some of the moss and mold, to read the words. Her name was Martha, and she died on May 17, 1900 of small pox, a deadly disease back then. I didn't stay there much longer beyond saying softly, "I'm sure your mommy and daddy love and miss you very much!"

I went about my job, and by afternoon the grounds looked good as new! It was then that for no particular reason, I looked up towards Martha's grave near a tall oak tree. I was startled, as I saw a small child standing next to the headstone. She had beautiful long wavy blonde hair, and looked about seven years old. She wore a dress like the ones I saw on Little House On The Prairie TV series. She was looking down at the words I had read, then she turned and looked directly into my eyes. Her eyes looked so sad, that I felt tears rolling down my cheeks. I was over come with a feeling of helplessness for her.

As she watched me walk slowly toward the wrought iron gate of the cemetery, she raised her tiny hand and shook her head no! In the time it took to blink tears away, she touched her headstone and vanished. I opened one side of the gate, and made my way back up the hill to her grave. When I reached her resting place...I kneeled down and whispered; "Why have you stayed behind, my little one?" I sat there on the cool green grass, as the wind blew fall leaves to the ground. Each leaf glistened as it was caught in the sun light, resembling angel's descending from heaven. My heart was heavy, realizing such a small child had passed away! She must be lost! She doesn't know what to do or where to go since she died.

I wish, I wish, I wish, I cried, I wish I could have held her, and tried to comfort her. I wanted to show her she wasn't alone. She lingers in this cemetery, a place that doesn't offer her peace or comfort. Maybe she is waiting for her parents to come and take her home with them? I felt as helpless as she felt, but what could I do? As I began to stand, I touched her headstone softly and whispered, "I'll come back tomorrow Martha, with a surprise for you."

When I returned the next day, I wasn't alone. I had searched that afternoon from one second hand store, to another until I found what I had been looking for. I found a Raggedy Ann doll. It had been well cared for, probably kept in someone's hope chest. It was my hope that Martha had such a doll as this one. I had seen alot of western movies where a small child had a Raggedy Ann doll, just like this one! I couldn't think of any other gift that might bring some comfort to her. When I parked my truck in front of the cemetery the next day, I smiled. But by the time I had sat down next to Martha's headstone there were tears once more in my eyes. But they were good tears.

Often times when a child has been hurt or is frightened, a stuffed animal is just what they need to hold! I propped up the doll against her headstone as I felt a smile come across my face. I spoke to Martha, as if she were there beside me. I talked about some of my childhood memories, times when I felt alone. Times when I cried. I told her that I had brought a friend. A friend who would love her and never leave her.

Someone she could talk to and play with, and that it was a gift from me. I stood up and leaned down and kissed her headstone softly, wiped my eyes and whispered, "Good-bye Martha!" I had almost reached my truck, when suddenly, I heard the sound of a child giggling. I turned quickly around and watched as Martha hugged her doll! I could have sworn there were tears in her eyes, as she smiled down at me and waved at me before she disappeared.

Several days later, I stopped at the small white country church, with a pastor’s house attached to the back side. I had never attended Pastor John's services because I lived in a near-by town. I felt very nervous about trying to find a way to explain to the Pastor what I had seen in his cemetery. But I was equally nervous about what his response would be! Would he even believe me? I stepped out of my truck and hesitated. I was about to get back into my truck and leave, when the front door of the church opened. He wasn't quite the Pastor I expected to see, dressed in bib overalls, with a paint can and brush in his hand. He sat them both down, smiled, and made his way down the church steps to greet me.

"My name is Pastor John my friend, welcome," and he shook my hand firmly. I could tell by his hand shake that he was no stranger to hard work. I told him my name was Raymond, and that his wife had hired me to mow the cemetery once a week. With a sparkle in his eyes, he nodded, and motioned for me to follow him. "I've got a pitcher of ice tea, Raymond. By the warmth of the sun, I'd say we could both use a glass"; and he laughed. He spoke to me with gentleness, a man of wisdom. I followed behind him as we made our way through the small church and into his office. Pastor John poured two glasses and handed me one and I thanked him, as he motioned for me to take a chair. "I'm so glad to have your help Raymond, mowing the cemetery lawns just takes my breath away," he said with a smile.

His office was a plain and simple one, with a large painting of Jesus, hanging next to the window looking out at the cemetery. "That's what I wanted to talk to you about Pastor, there's a problem." He looked at me with concern, then curiousity, but remained silent. “While I was working next door yesterday, well…" then he watched my eyes begin to water. His eyes grew wide with concern, and he began to speak. "You must have seen her too, the little girl, you saw my Martha?" Tears of relief flowed down my cheeks and his, as I nodded unable to speak.

Pastor John pulled a red checkered handkerchief from his back pocket and wipes his eyes. "Martha was six years old when she died of small pox, Raymond. Her mom and dad, and many neighbors left this area to escape the disease. I've got relatives buried in this cemetery Raymond. Martha isn't kin to me, but she is a lost soul! I have tried to speak to her, I have prayed for her. Still she lingers in our cemetery, and my spirit has suffered."

"I haven't told my wife about Martha, nor anyone else. I was beginning to think that I was the only one who could see her." When Pastor John was finished, he took a deep sigh. He looked like a huge weight had been taken off his shoulders. I told him of my encounter with Martha and of the doll that I had brought to her. In a moment, he spoke. "God bless you Raymond!" We both were silent for a moment, perhaps lost in thought. Then, I asked him a question. "How can we guide Martha home to Jesus?"

As Pastor John walked over to the window, facing the cemetery, he paused. He looked deep in thought, searching for an answer. Then, he turned to me, his eyes a bit teary and spoke. "Martha, bless her spirit, has made you her friend. Something I have tried to do for a long time, and failed. Could you visit her now and then Raymond, maybe she will speak to you?" I nodded to him as I stood looking out the same window. "Children have always found a soft spot in my heart, Pastor John."

I looked into Pastor John's smile with a look of confusion. Pastor, I don't know what to say to Martha, or what passages to quote? He just smiled widely at me, placing his hand on my shoulder, as he spoke. "God's blessed you with a gift Raymond, with work left undone. Go to Martha, my friend, for God will show you he needs you to do." As I took in his words, I heard the distinctive sound. It was a VW bug, and his wife was pulling into the drive way. Pastor John beamed a smile, "my wife Amy is home, mum's the word!"

I looked at him, nodded, and laughed as we walked outside to meet her. When she saw him step out onto the church porch, I heard her say to Pastor John, "I thought you'd be finished painting"; as she laughed with playful eyes. "Hi Raymond. My you have made the Cemetery so nice, it's been needing care for a long time, and well; there's just so much to do for John. I hope John hasn't been preaching too much today, he loves the lord," she said with a warm smile.

"No mam, I answered, we've only been talking a short time, but I do need to go and get to my afternoon landscaping job," I told her. "But I'll be back tomorrow to do a little extra work." Pastor John's smile grew wide, as wide as mine, as I headed for my truck. His wife, looked first at her husband, then to me, wondering with that deer in the head lights look, what we might be up too.

I didn't sleep well that night, no, I tossed and turned. I kept thinking of that sad little girl. I was growing attached to her. What hope did I have of becoming close to her? Of talking to her? More important, would she or could she talk to me? What could I say to Martha that would ease her pain? Why hadn't she found the path, leading her back to Jesus' arms? So many questions came to mind, I just couldn't fall asleep. Pastor John left it up to me to guide her on her way. So I got out of bed, turned the light on, and wrote down my thoughts.

Like a candle's light glowing in the darkness of the night, suddenly I had an idea on how I might be able to help Martha. The morning's sunrise came all too soon for me. But I had an idea, a plan and hoped to see Martha again. Perhaps, she would allow me to see her, perhaps not. As I pulled out of my driveway, I stopped at the only jewelry shop in town. I browsed through gold chains of every size and price range which had a cross on them. I finally did settle on one I felt would fit her, one I hoped she'd like. I asked the jeweler if he did engraving, and he said yes.

I asked him what it would cost to engrave the name Martha on the back of the cross and when it might be ready? He told me, engraving with the purchase was free, and that it would be just a few minutes. When finished, I looked it over, and I smiled, it looked beautiful. On my way out of town, I stopped at McDonald's and had 2 sausage egg McMuffins without cheese, and a medium coke. I glanced down at the gold cross necklace, boxed, and wrapped in brightly colored balloon wrapping paper, and I felt so good. Fall was here, and the leaves on the road were gold, reddish brown and yellow.

When I arrived at the Longbranch cemetery, the sun shone brightly. As the leafs fell slowly to the ground, they were caught in the glint of sunlight, looking like angels descending from heaven. I sat next to Martha's headstone for hours, and I felt that she wasn't going to appear. Then, I heard the distinctive giggle of a small child, and I felt my own smile grow. The sound came from behind me and I turned my head around and saw Martha, smiling so bright a small, as she was waving her tiny hand hi!

My eyes shined and my smile grew wide when I saw Martha. She was hugging her doll tight and waving excitedly. It was if I were her dad, who she hadn't seen in a long time. She almost ran into my arms, but she stopped, and sat down near me. She was so close to me, I could have reached out and touched her. In every way, she looked just as if she were alive, an ordinary little girl. "I'm so glad you came to visit again," she giggled. She said with laughter as she looked down at her doll, "see, I told you he'd come back," and we both laughed. "I named her Becky, do you like her name?"

So, you gave her a name already, Martha, and her face was beaming with delight as she nodded her head! "Well, I think that's a fine name for a pretty doll," and she looked like the happiest girl I'd ever seen before! It was then, that her eyes spotted the small box, wrapped in pretty balloon wrapping, and then, she looked at me with curiousity. "Tell me, tell me, you brought me another present Raymond," and she could barely sit still when I said, "I sure did Martha." I couldn't hold back my tears of joy, as they rolled down my cheeks one after another. She looked at me with sad eyes, then to the present, and asked me, "why are you crying?"

As I wiped my eyes, and blinked, I told her; "it's hard to explain. But before we talk, little one, here, this is for you," and I placed the box on her lap. She eagerly pulled at the wrapping with small hands, and I laughed as colored paper was flying every where. Then she paused, as she held the long narrow box in her hands, hesitating. Then I said, "well, go ahead, open it up, peek inside," and she giggled as she pulled the top off. As the lid came off, tears filled her eyes as she whispered, "oh my, it's so pretty!" She held the necklace in her tiny hands and rubbed the cross, as I said, "go ahead, turn it over and see what is written?" With the curious innocence that makes kids a delight, she turned over the gold cross and held it close to her eyes as she spoke her name out loud!

In broken words, between tears, she tried to smile as she told me that she had been so lonely, for so long, and then, I brought her Becky, and now, this pretty necklace! Then suddenly, she climbed up into my my lap, so unexpectedly and hugged my neck tight, and said "thank you so much," and I cried too, telling her it was alright. And for that brief moment, I forgot that Martha was a spirit of a little girl.

It was the perfect time to say the perfect words, but I was an imperfect man, and I had no words to say to her. Instead of talking, I waited till Martha finished sharing a long missed hug. When she let go, I expected her to go back where she had sat, but she didn't. She stayed there in my lap, looking into my eyes, with such a warm innocent smile, that reminded me of Shirley Temple. Then, impatiently, she said, "well, aren't you gonna help me put it on?" I felt embarrassed, having not asked her first, and I said, "of course Martha, turn around for me," and she did. In a moment the clasp was hooked, and I felt her pull gently on the cross as she looked down at it.

She hugged me one more time, then she left my arms and sat down next to Becky and picked her up. Martha was showing Becky her necklace, as I began to speak. But before I began, I looked over at the church, I saw Pastor John looking at me, but he looked very different. Then, Pastor John moved away from the window, and I turned my attention back to Martha. I was tongue tied, searching for the right words, but realized there were no perfect, easy words to say what I wanted to say. “Martha, can I talk to you for a minute, it's real important?" She looked up from Becky, nodded, watching intently. As she fingered the cross, I began to speak.

You know why your momma and dad went away don't you Martha? Gone was the sparkle in Martha's deep blue eyes. All she did was nod at first. "Everyone was getting sick, and I was very sick, I remember." Everyone was leaving town, and I didn't want them to go away. I didn't want my dad and mom to leave me, and her voice, trembled, and she broke into tears. My heart was breaking as she crawled back into my arms, and I rocked her. "I have been waiting for them to come back and take me with them,” she said, and I felt warm tears soak my shirt as her head rest on my shoulder. When she quieted down, it was my turn to speak.

I'm glad you remember when you were very sick Martha, it was a time when many were sick. Many of them didn't get better, they died and were buried here. I waited a moment to let those words sink into Martha's thoughts. "Martha," I said, as my tears fell upon her, "the reason mom and dad haven't come back to take you with them, is because, because you couldn't get better, you died!" Then, I heard her softly say sadly, "I know," was all she said as she hugged me tighter. Neither of us spoke for a few minutes, there were no words she or I could find.

Then she looked up into my eyes and her expression was so heart wrenching, a plea to help her, and I didn't know anything I could do for her. I whispered, "Martha, why have you stayed behind? Didn't you see an angel, a light, a stairway someone to show you the way to heaven?” She just shook her head no. Can you help me Raymond? "Can you help me go to heaven?" All I could say to her was, "I'm so sorry hun, I don't know what to do." It was then, that I heard Pastor John's gentle voice, and we both looked up and saw him. There was a glow all around him, and I knew now what happened at the window. He had a heart attack, and had died.

"It's okay Martha, come take my hand, I know the way to heaven." There were tears in our eyes as she looked at Pastor John, then to me as she spoke. "I will miss you Raymond, very very much." As I cried, I told her I would miss her with all my heart. She climbed down, picked up Becky with one hand and took Pastor John's hand with her other hand. I waved to both of them, as they said good-bye, for the stairway to heaven had opened above them.

© 2002 Raymond Cook (All rights reserved)
 


Analysis of Plot

In Raymond Cook’s short story “Why Have You Stayed Behind?”, the story begins with an exposition. Exposition is the beginning of the story where the characters and the setting are revealed. Paragraph 1 tells about the setting of time which is Sunday morning, and setting of place which is Longbranch Cemetery: Every Sunday morning just past 9am, I'd arrive at the Longbranch Cemetery to mow the grounds. This morning though I would discover would be very different. That sentence also tells the characterization of the main character as someone who is hired to mow the grass in the cemetery. It is also mentioned the characterization of the supporting character, Martha: Her name was Martha, and she died on May 17, 1900 of small pox, a deadly disease back then. (paragraph 1), and She had beautiful long wavy blonde hair, and looked about seven years old. She wore a dress like the ones I saw on Little House On The Prairie TV series. (paragraph 2).

Then, it comes the rising actions. This is where the events in the story become complicated: …she touched her headstone and vanished. (paragraph 3). The raising action is also mentioned in other paragraph: I had almost reached my truck, when suddenly, I heard the sound of a child giggling. I turned quickly around and watched as Martha hugged her doll! (paragraph 7).

The story is interspersed by the foreshadowing. Foreshadowing is the use of clues or hints or warnings to suggest events that will occur later in the plot. The first clue comes up when the main character, Raymond, realizes that Martha is a linger spirit: She must be lost! She doesn't know what to do or where to go since she died. (paragraph 3). The clue is also mentioned on paragraph 4: Maybe she is waiting for her parents to come and take her home with them? The other clue is mention on the dialog between Raymond and Pastor John: “Could you visit her now and then Raymond, maybe she will speak to you?” … "Children have always found a soft spot in my heart, Pastor John." (paragraph 13). Also, there is a clue on paragraph 14: "God's blessed you with a gift Raymond, with work left undone. Go to Martha, my friend, for God will show you he needs you to do."

In this story, there are internal conflicts. The conflicts happen because Raymond has a struggle within himself about Martha. He must make some decision about what he has to do about Martha’s spirit. The first conflict comes up when he sees Martha for the first time. He wants to help but he feels he can not: I was over come with a feeling of helplessness for her. (paragraph 2) and I wish, I wish, I wish, I cried, I wish I could have held her, and tried to comfort her. I wanted to show her she wasn't alone. (paragraph 4). The next conflict is when Raymond feels confuse about telling Pastor John about Martha: I felt very nervous about trying to find a way to explain to the Pastor what I had seen in his cemetery. But I was equally nervous about what his response would be! Would he even believe me? (paragraph 8). Raymond’s question to Pastor John is the key of the conflict: "How can we guide Martha home to Jesus?" (paragraph 12). Raymond is so confuse that he even can only ask question without saying it: Pastor, I don't know what to say to Martha, or what passages to quote? (paragraph 14).

The internal conflict is also happened within Pastor John. He feels powerless of Martha’s lingering: “...I have tried to speak to her, I have prayed for her. Still she lingers in our cemetery, and my spirit has suffered." (paragraph 11). His decision of not telling his wife about Martha also becomes Pastor John’s internal conflict: "I haven't told my wife about Martha, nor anyone else. I was beginning to think that I was the only one who could see her." (paragraph 12).

After coming home, Raymond still thinks about what he has to do about Martha’s spirit, which he still has conflict within himself: I didn't sleep well that night, no, I tossed and turned. I kept thinking of that sad little girl. I was growing attached to her. What hope did I have of becoming close to her? Of talking to her? More important, would she or could she talk to me? What could I say to Martha that would ease her pain? Why hadn't she found the path, leading her back to Jesus' arms? So many questions came to mind, I just couldn't fall asleep. (paragraph 17)

The meeting and whole conversation with Martha is also a struggle for Raymond. He tries to find the perfect way to tell that Martha is actually dead: And for that brief moment, I forgot that Martha was a spirit of a little girl. (paragraph 24). On paragraph 25, there is a conflict between Raymond and the circumstance: It was the perfect time to say the perfect words, but I was an imperfect man, and I had no words to say to her. Instead of talking, I waited till Martha finished sharing a long missed hug. When she let go, I expected her to go back where she had sat, but she didn't. She stayed there in my lap, looking into my eyes, with such a warm innocent smile, that reminded me of Shirley Temple. And the conflict still happens: I was tongue tied, searching for the right words, but realized there were no perfect, easy words to say what I wanted to say. (paragraph 26)

Before the story reaches the climax, there is a foreshadowing that gives a warning about the condition of Pastor John: But before I began, I looked over at the church, I saw Pastor John looking at me, but he looked very different. (paragraph 26)

Climax is the highest point of interest of the story. The climax of this story is when Raymond reveals who Martha really is: "Martha," I said, as my tears fell upon her, "the reason mom and dad haven't come back to take you with them, is because, because you couldn't get better, you died!" (paragraph 28).

The falling action happens when Martha says that she knows she is dead. Falling action comes up when the events or complications begin to resolve themselves: Then, I heard her softly say sadly, "I know," was all she said as she hugged me tighter. (paragraph 28).

However, before the resolution comes up, there is a foreshadowing: There was a glow all around him, and I knew now what happened at the window. (paragraph 29). That sentence becomes a clue that Pastor John dies.

Finally, the story is ended with a resolution or denouement: I waved to both of them, as they said good-bye, for the stairway to heaven had opened above them. (paragraph 30) as the final event of the story.
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Wednesday, 30 March 2011

Kate Chopin’s The Story of an Hour: Analysis of Style and Tone


STYLE 

Paragraph

The Story of an Hour has short paragraphs. Each paragraph only contains not more than five sentences. The longest paragraph is paragraph eleven which has five sentences: When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under her breath: “free, free, free!” The vacant stare and the look of terror that had followed it went from her eyes. They stayed keen and bright. Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body.

Dictions

· Chopin chose formal words: It was he who had been in newspaper office when intelligence of the railroad disaster was received, with Brently Mallard’s name leading the list of “killed”. (paragraph 2)

· The words mainly denotative or containing exact meanings and concrete (specific): There stood, facing the open window, a comfortable, roomy armchair. (paragraph 4)

· The words are euphonious (pleasant sounding): The delicious breath of rain was in the air. (paragraph 5)

Sentences Structure

Most of the sentences are complex sentences: When the storm of grief had spent itself she went away to her room alone. (paragraph 3)

However, there are simple and compound sentences as well, but not many: They stayed keen and bright. (simple sentence, paragraph 11); Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body. (compound sentence, paragraph 11)

Symbolisms

· It is said that Mrs. Mallard has a heart trouble: Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death. (paragraph 1). Heart can be the real heart, but heart also symbolizes love. Mrs. Mallard may have no heart disease, but she may have love problem which is problem in her marriage life. On the last paragraph: When the doctor came they said she had died of heart disease­—of joy that kills. It means that she is not killed by heart attack, but her love kills her.

· She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. (paragraph 5) The new spring life does not always mean that the setting of the story is on the spring season. The new spring life may symbolize Mrs. Mallard’s new happier life after her husband’s death.

Treatment of Subject Matter

Chopin has been objective. He makes the main character (Mrs. Mallard) die at the end of the story. His conclusion is based on fact that Mrs. Mallard has trouble with her heart. It is something impersonal: But Richard was too late. (paragraph 22)

Figures of Speech

· Alliteration: repetition of an initial consonant sound.

She wept at once, with sudden, wild abandonment, in her sister’s arms. (paragraph 3)

She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. (paragraph 5)

The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves. (paragraph 5)

But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air. (paragraph 9)

She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will—as powerless as her two white slender hands would have been. (paragraph 10)

Spring days, and summer days, and all sorts days that would be her own. (paragraph 19)

· Irony: saying the opposite of what is meant, or verbal irony.

Knowing that Mrs. Mallard was afflicted with a heart trouble, great care was taken to break to her as gently as possible the news of her husband’s death.

· Metaphor: An implied comparison between two unlike things that actually have something important in common.

When the storm of grief had spent itself she went away to her room alone. (paragraph 3)

The delicious breath of rain was in the air. (paragraph 5)

· Oxymoron: Combining contradictory words to reveal a truth.

She did not stop to ask if it were or were not a monstrous joy that held her. (paragraph 12)

· Paradox: A statement that appears to contradict itself.
It was her sister Josephine who told her, in broken sentences; veiled hints that revealed in half concealing. (paragraph 2)

When the doctors came they said she had died of heart disease—of joy that kills. (paragraph 23)

· Personification: Giving humanlike qualities or human form to objects and abstractions.

Into this she sank, pressed down by a physical exhaustion that haunted her body and seemed to reach into her soul. (paragraph 4)

She could see in the open square before her house the tops of trees that were all aquiver with the new spring life. (paragraph 5)

The notes of a distant song which some one was singing reached her faintly, and countless sparrows were twittering in the eaves. (paragraph 5)

There were patches of blue sky showing here and there through the clouds that had met and piled one above the other in the west facing her window. (paragraph 6)

She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will—as powerless as her two white slender hands would have been. (paragraph 10)

· Simile: Comparing one thing to an unlike thing by using like, as, or than.

She sat with her head thrown back upon the cushion of the chair, quite motionless, except when a sob came up into her throat and shook her, as a child who has cried itself to sleep continues to sob in its dreams. (paragraph 7)

There was a feverish triumph in her eyes, and she carried herself unwittingly like a goddess of Victory. (paragraph 20)

TONE

The tone of The Story of an Hour is ironic. People around Mrs. Mallard think that she is very sad of her husband’s death. After her sister, Josephine, tells her about her husband’s death, she locks herself alone in her room staring out the window. Josephine thinks that her sister’s crying out because of the deep grief of losing her husband. However, the fact is that she cries out for being relieved. She feels free. She is happy for her freedom. At the end of the story, her husband who supposed to be dead comes home safe, not dead. And the one who is dead is Mrs. Mallard, killed by the joy.

The Story of an hour is also dramatic. The moment when Mrs. Mallard lock herself alone in her room is described dramatically. The situation when she is staring out the window, feeling the atmosphere of freedom, and crying for new life are described in brilliant way. Chopin wanted the readers to feel what Mrs. Mallard is experiencing when she is alone in her room. Chopin chose beautiful words to touch the reader to feel the drama of the irony of love. When Mrs. Mallard says, “free, free, free!” (paragraph 11) and “free! Body and soul free!” (paragraph 16), she throws away all of her sadness, burdens, and the tortures of her marriage life. She releases all of her pains.

It is quite hard to understand the story on the first reading. If it is only read once, sadness and shocked are the only things readers can get. Chopin wrote this story with mysteries which are not easy to be analyzed. The first name of the main character, Mrs. Mallard, is not mentioned on early paragraphs but on paragraph 17: Josephine was kneeling before the closed door with her lips to the keyhole, imploring for admission. “Louise, open the door! I beg, open the door—you will make yourself ill. What are you doing Louise? For heaven’s sake open the door.” So the name of Mrs. Mallard is Louise. Chopin kept the name mystery until paragraph 17 to make readers emphasize her characteristic as a weak housewife and the exciting moment when she is alone in her room. And the biggest mystery of this story is what exactly kills Mrs. Mallard. It is still cannot be solved what kills Mrs. Mallard, whether she gets heart attack after seeing Mr. Mallard alive or her relief of all of her feelings and love.

Chopin had his great job in writing The Story of an Hour. It has a good unexpected plot which needs deep understanding. Chopin has been able to make the readers keep questioning. It means that The Story of an Hour is not only a great short story, but Chopin is also a smart author.
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Wednesday, 16 March 2011

Flowers for Algernon


Flowers for Algernon is a science fiction novel written by Daniel Keyes. It was published in 1966 and won Nebula Award for Best Novel.

Algernon is a laboratory mouse who had a surgery to increase his intelligence by artificial means. The story is told as a series of progress reports written by Charlie Gordon, the first human test subject for the surgery, and touches upon many different ethical and moral themes such as the treatment of the mentally disabled.

Charlie Gordon is a 32 year old man with an IQ of 68 who works as a janitor and deliveryman for Donner's Bakery. His uncle made him work there for 17 years that Charlie would not have to be sent to an institution, the Warren State Home. Wanting to improve himself, Charlie attends reading and writing classes at the Beekman College Center for Retarded Adults. He has an attractive young teacher there, Alice Kinnian.

Professor Nemur and Doctor Strauss, two Beekman researchers, are looking for a human subject on whom they can test an experimental surgical technique for increasing intelligence. They have already performed the surgery on a mouse named Algernon, leading to a dramatic improvement in his mental performance. Based on Alice's recommendation and his own motivation to learn, Charlie is picked to be their experiment subject and submit him to surgery.

The procedure is a success and three months later, Charlie's IQ has reached to 185. However, as his intelligence, education, and understanding of the world around him increases, his relationships with people decreases. His co-workers at the bakery are scared of his increased intelligence, and finally he’s fired from his job.

Charlie gets smarter and smarter. He reads many books and journals in many languages, even he has never learnt any foreign languages. He’s very genius. Scientists hate him, because he’s smarter than them. Even his beloved teacher, Alice, walks away from him. Although Charlie is a genius man, deep inside he’s still the same innocent Charlie like he was. He knows everything in this world, but he doesn’t even know anything about life, relationship, friendship, love and to be loved, or even how to cry. So, Charlie is a genius lonely man.

Since Charlie is very genius, he discovers a flaw in the theories of intelligence enhancing he has done. Algernon starts behaving irregularly, loses his intelligence, and dies. Charlie does further researches, he determines that he will be in that condition too. So he tries to fix the broken relationships with his parents, his sister, his friends, and Alice. That’s because he knows that his intelligent will decrease, and slowly but sure he will die like what happened to Algernon. He doesn’t want to be alone when he dies.

Time goes by, and Charlie goes back to his former self. Finally, he decides to live at the Warren State Home, because he knows he will be a retarded man as he was. In the end of his reports, he asks someone to put flowers on Algernon's grave.
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Tuesday, 25 January 2011

TuneUp Utilities 2011, Memaksimalkan Kerja Sistem Operasi


TuneUp Utilities 2011 adalah software aplikasi pelengkap yang bekerja untuk memaksimalkan sistem operasi komputer. Aplikasi ini dirancang dengan baik yang dapat mengakses seluruh perangkat pemelihharaan Windows. Aplikasi ini cepat dan mudah digunakan karena memiliki modul-modul yang saling terhubung.

Aplikasi ini memiliki temp file management, registry cleaners, dan start-up program controls yang dapat me-rewrite registry Windows untuk mempercepat kerja sistem operasi dan memperkecil kerusakan. Selain itu, aplikasi ini juga dapat menghapus data dari harddisk sampai benar-benar bersih. Aplikasi ini mendukung beberapa perangkat add-on yang tidak terdapat pada aplikasi utiliti sejenis. TuneUp Utilities juga dapat meningkatkan kinerja komputer secara sinifikan.

TuneUp Utilities 2011 dirancang untuk menjaga kinerja dan memperpanjang usia PC, juga mempercepat performa komputer. Dengan adanya sejumlah fitur baru yang tidak ada di versi sebelumnya, aplikasi ini memudahkan pengguna dalam mengatasi masalah yang sering terjadi pada sistem operasi yang berkaitan dengan kinerjanya.

Aplikasi ini memiliki lisensi dari TuneUp Corporation, yang dapat diunduh versi trial-nya untuk pemakaian selama 15 hari. Jika ingin mendapatkan versi lengkapnya, aplikasi ini dapat dibeli seharga $49.95.

TuneUp Utilities 2011 dapat diaplikasikan oleh pengguna Windows 7, Windows XP, dan Windows Vista, baik itu versi 32-bit ataupun 64-bit.

Untuk mengaplikasikan TuneUp Utilities 2011, langkahnya sangat mudah dan cepat. Terlebih dahulu unduh file TuneUp Utilities di sini. Besar file-nya adalah 19.57 MB. Setelah file-nya terunduh, ikuti langkah penginstalan seperti berikut:

  • Klik file yang telah diunduh sehingga muncul tampilan berikut:
image
  • Klik tombol NEXT sehingga muncul tampilan license agreement, lalu klik tombol I ACCEPT.
image
  • Setelah itu proses instalasi akan berjalan.
image
  • Setelah proses instalasi selesai, akan muncul tampilan berikut. Lalu klik FINISH.
image
  • TuneUp Utilities siap digunakan. Tinggal memilih mode yang akan digunakan.


image



Kelebihan TuneUp Utilities 2011 adalah dapat meningkatkan akselerasi program komputer dan internet. Aplikasi ini juga dapat mencegah kerusakan file ataupun membersihkan komputer dari file-file yang tidak diinginkan. Terdapat juga scheduler untuk mengatur jadwal pemeliharaan Windows. Selain itu, mode RescueCenter dapat mengembalikan perubahan ataupun kesalahan satu per satu dengan sempurna. Aplikasi ini sangat cocok untuk pengguna dari semua level, mulai dari pemula yang lebih memilih option sekali klik, sampai ke pengguna yang lebih mahir dan berpengalaman dalam men-setting komputer.

Yang menjadi kelemahan TuneUp Utilities 2011 adalah ketika menjalankan aplikasi ini, ada kemungkinan beberapa program atau aplikasi lain akan ter-uninstall. Hal ini terutama saat menjalankan cleaner-nya sehingga beberapa pengguna harus me-reinstall aplikasi-aplikasi yang ter-uninstall tersebut.

Jika dibandingkan dengan aplikasi sejenis, sebut saja system tools bawaan Windows seperti Disk Cleanup dan Disk Defragmenter, fungsi utamanya tentu sama saja. Namun, TuneUp Utilities 2011 kinerjanya lebih cepat, lebih mudah pengoperasiannya, lebih optimal dalam membersihkan, dan memiliki fungsi tambahan lain seperti dapat mempercantik tampilan Windows.

TuneUp Utilities 2011 adalah aplikasi dengan kinerja yang cepat dan optimal. Berkaitan dengan sangat pentingnya kinerja sistem operasi, perawatan harddisk komputer, dan akselerasinya dengan koneksi internet,  maka TuneUp Utilities 2011 bisa menjadi pilihan tambahan bagi mereka yang membutuhkan kecepatan dan optimalisasi sistem operasi komputer.


sumber: http://download.cnet.com/TuneUp-Utilities-2011/3000-18512_4-10206416.html
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ImgBurn, Aplikasi Pembakar Gambar


ImgBurn adalah software berupa aplikasi ringan untuk membakar (burn) CD/DVD/HD DVD/Blu-ray yang file atau folder-nya berisi  gambar. ImgBurn memiliki beberapa mode yang memiliki fungsinya masing-masing, yaitu:
  • Read, untuk membaca file gambar.
  • Build, untuk membuat file gambar yang diambil dari file komputer atau dari jaringan, atau dapat juga ditulis langsung ke disk.
  • Write, untuk menulis file gambar ke  disk.
  • Verify, untuk memastikan disknya 100% terbaca. Juga bisa digunakan untuk memastikan file-nya benar.
  • Discovery, digunakan bersama dengan DVDInfoPro, untuk memastikan kualitas disk yang telah dibakar atau dihasilkan.
ImgBurn adalah aplikasi yang dapat diunduh secara gratis. Namun, software ini sebaiknya tidak digunakan untuk membuat bajakan dari disk-disk yang memiliki hak cipta.

ImgBurn dapat digunakan untuk membakar file gambar dengan format BIN, CCD, CDI, CUE, DI, DVD, GI, IMG, ISO, MDS, NRG dan PDI. Aplikasi ini juga bisa digunakan untuk membuat disk DVD Video, HD DVD Video, dan Blu-ray Video dengan mudah. Selain itu, ternyata bukan hanya gambar, ImgBurn juga bisa membakar CD audio dari file apapun yang didukung DirectShow/ACM, termasuk juga AAC, APE, FLAC, M4A, MP3, MP4, MPC, OGG, PCM, WAV, WMA dan WV.

ImgBurn dapat berfungsi di semua sistem operasi Windows, mulai dari Windows 95, Windows 98, Windows Me, Windows NT4, Windows 2000, Windows XP, Windows 2003, Windows Vista, Windows 2008, dan Windows 7 (termasuk semua versi 64-bit). Aplikasi ini juga bisa digunakan pada sistem operasi Linux.

Untuk mengaplikasikan ImgBurn, proses instalasinya sangat mudah dan cepat. Jika belum memiliki software aplikasi ImgBurn, file-nya sangat mudah didapatkan di internet dan dapat diunduh dengan gratis. Setelah itu, ikuti langkah penginstalan seperti berikut:
  • Klik file yang telah diunduh sehingga muncul tampilan berikut:
image
  • Klik pada tombol NEXT sehingga muncul tampilan untuk memilih komponen. Beri tanda cek pada komponen yang ingin diinstal.  Kemudian klik tombol NEXT.
image
  • Setelah itu akan muncul tampilan untuk memilih folder penginstalan. Klik BROWSE jika ingin memilih folder lain. Klik NEXT untuk melanjutkan.
image
  • Setelah itu, muncul tampilan untuk memilih shortcut. Lalu klik INSTALL.
image
  • Setelah itu proses instalasi akan berjalan. Sebelumnya klik YES untuk menyimpan pengaturan sebelumnya.
image
  • Setelah proses instalasi selesai, klik FINISH.
image
  • ImgBurn siap untuk dioperasikan. Tinggal memilih mode yang akan digunakan.
image

ImgBurn adalah aplikasi yang sangat fleksibel dengan beberapa keunggulan yang jarang dimiliki aplikasi lain yang sejenis, khususnya dalam membakar disk DVD video. Aplikasi ini dapat dijalankan pada semua drive keluaran terbaru tanpa perlu meng-update. ImgBurn juga memiliki sistem antrian ketika sedang membakar beberapa gambar yang dapat dibagi dalam beberapa drive, jika memang memiliki lebih dari satu.

Satu-satunya kekurangan dari ImgBurn adalah aplikasi ini tidak dapat membakar multisession disk. Multisession disk adalah sebuah disk yang dapat ditulis kembali atau dapat digunakan lebih dari sekali proses pembakaran. Jika terdapat spasi kosong dalam disk pada saat pertama kali dibakar, disk tersebut masih bisa ditulis kembali jika diperlukan, seperti CD-R.

Selain itu, jika dibandingkan dengan aplikasi pembakar disk bawaan komputer semisal Nero, ImgBurn masih kalah lengkap. Nero adalah aplikasi yang dapat digunakan untuk membakar berbagai bentuk file seperti teks, gambar, suara, dan video. Sedangkan ImgBurn hanya mendukung file gambar saja.

ImgBurn adalah aplikasi yang cukup berguna bagi mereka yang punya ketertarikan lebih pada gambar dan video, atau mereka yang suka mengunduh Youtube dan ingin menyimpan file-nya pada sebuah disk. Walaupun sebenarnya untuk melakukan pekerjaan membakar gambar dan video masih dapat dilakukan dengan aplikasi bawaan yang ada di komputer, ImgBurn bisa menjadi pilihan tambahan yang cukup bermanfaat.


sumber: http://www.imgburn.com/
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Friday, 18 June 2010

Sentuhan Pembawa Bencana


Ini dia buku yang baru saja selesai saya baca. THE TOUCH karya Daniel Keyes. Sebenarnya buku ini buku terbitan lama, keluaran tahun 1968! Sudah lama sekali memang, tapi saya baru sempat membacanya setelah 42 tahun buku ini ditulis. Awalnya saya memutuskan untuk membaca The Touch setelah terpesona oleh karya Daniel Keyes yang lain, Flowers for Algernon, yang sudah saya bahas di sini. Sayapun berniat untuk membaca karya-karya Daniel Kayes, dan pergilah saya ke sebuah toko buku diskon untuk membeli SEMUA buku Daniel Keyes. The Touch adalah yang pertama saya baca.

The Touch bercerita tentang Barney Stark, seorang pematung yang bekerja di divisi disain sebuah perusahaan pembuat mobil. Kehidupannya berjalan normal sampai pada satu hari terjadi sebuah bencana di divisi riset di perusahaan tersebut. Telah terjadi kecelakaan yang menyebabkan terjadinya tumpahan radioaktif di laboratorium pusat riset. Dari buku ini saya baru tahu ternyata radiasi—yang berasal dari Iridium 192—diperlukan oleh industri mobil dalam banyak hal seperti untuk melacak ketebalan cat pada bodi mobil, mengecek cacat-cacat pada cetakan, dan lain-lain.

Awalnya pihak perusahaan menyatakan bahwa tumpahan radiasi dapat diatasi dengan tuntas, dan tidak ada debu radioaktif yang tersebar keluar. Namun dengan semua langkah-langkah yang telah diambil, ternyata masih ada juga celah yang terlewatkan. Mereka lupa membersihkan sistem ventilasi. Saat pendingin udara dinyalakan, debu radiasi tertiup ke ruang seorang staf divisi riset, Max Prager, yang selalu pergi ke kantor dan pulang bersama Barney dalam satu mobil. Akhirnya debu radioaktif tersebar ke setiap benda yang Max sentuh, termasuk Barney dan mobilnya. Dan seperti efek domino, Barney-pun menyebarkan debu radioaktif itu ke dalam rumahnya, istrinya, dan semua yang ia sentuh di manapun ia berada.

Mereka akhirnya teradiasi dengan gejala muntah-muntah dan muncul luka bakar pada tubuh mereka. Setelah berita tersebar, merekapun disalahkan atas penyebaran debu radioaktif di seluruh kota. Walaupun di buku ini diceritakan tentang penderitaan fisik yang mereka alami, namun di sini penulisnya lebih menekankan pada penderitaan mental dan psikologis. Di buku ini digambarkan bagaimana rasanya berada pada posisi yang disalahkan oleh semua penduduk kota karena telah menyebarkan radiasi, walaupun sebenarnya ia sama sekali tidak terkait dengan kecelakaan yang menyebabkan tumpahan radioaktif itu, dan ia sendiri sebenarnya tertular debu radioaktif dari orang lain yang kebetulan semobil dengannya. Ditambah lagi istrinya sendiri—yang ternyata sedang mengandung—juga ikut menyalahkannya karena tidak diragukan lagi janin yang dikandungnya pasti juga ikut teradiasi.

Semua perlakuan yang diterima oleh Barney menumbuhkan kebencian yang begitu besar dalam dirinya. Bila seseorang tersakiti karena sesuatu yang tidak ia pahami, tentu harus ada orang yang dipersalahkan. Tapi jika tidak ada orang lain yang bisa disalahkan, maka jalan satu-satunya adalah menyalahkan diri sendiri. Membaca buku ini mungkin akan membuat kita sedikit memahami sebuah kepedihan yang mendalam, gangguan psikologis yang bisa dibilang mendekati gila.

Buku ini cukup menarik, tapi menurut saya kekurangannya adalah buku ini terlalu tipis. Cerita diakhiri ketika istri Barney melahirkan bayi mati, yang sebenarnya sudah mati sejak lama saat masih berada dalam kandungan. Akan lebih baik jika dibuat cerita si bayi akan hidup dengan cacat-cacat akibat radiasi. Bukan karena saya suka dengan penderitaan orang lain, tapi setelah selesai membaca The Touch saya kok merasa ceritanya nanggung. Kalau halamannya ditambah sedikit lagi saja, ceritanya mungkin bisa dieksplorasi lebih dalam lagi. Sayangnya bukan saya yang menulis buku ini... ^___^
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Wednesday, 21 April 2010

OUT: Mencari Jalan Keluar atau Lari dari Masalah?



Kekerasan memang bukan jawaban, tapi satu-satunya jawaban. ~ Joseph Stack
Masako Katori, Yayoi Yamamoto, Yoshie Azuma, dan Kuniko Jonouchi adalah empat orang wanita yang bekerja shift malam di sebuah pabrik makanan kotakan di tengah-tengah distrik Musashi-Murayama. Selain mempekerjakan banyak orang Brazil—murni ataupun keturunan Jepang—pabrik tersebut juga menerima para ibu rumah tangga yang ingin bekerja paruh waktu. Di pabrik itu mereka membuat makanan kotakan dengan beberapa menu. Mirip-mirip nasi kotak yang biasa kita makan kalau sedang ada acara tertentu. Bedanya sih makanan kotakan yang mereka buat itu untuk dijual di mini mart untuk sarapan, makan siang, ataupun makan malam.

Masako, Yayoi, Yoshie, Kuniko, dan para pekerja lainnya melakukan pekerjaan yang relatif sama setiap malam. Misalkan untuk membuat kare untuk makan siang, beberapa orang bertugas meratakan nasi, menambah saus kare, mengiris ayam goreng, dan meletakkan irisan ayam di atas kare. Di bagian lain, beberapa orang memasukkan acar ke dalam wadah-wadah kecil, memasang tutup wadah acar, menambahkan sendok, dan memasang tutup kotak makanan. Pekerjaan yang membosankan memang, tapi lumayan untuk menambah penghasilan para ibu rumah tangga seperti Masako, Yayoi, Yoshie, dan Kuniko.


Mereka sebenarnya hanyalah empat orang wanita biasa dengan kehidupan yang berbeda satu sama lain. Namun, satu hal yang membuat mereka sama—tentu saja selain sama-sama bekerja di pabrik makanan kotakan—adalah mereka tidak bahagia.
Masako hidup bersama suami dan anak laki-lakinya. Mereka berkecukupan secara materi, namun hidup tidak seperti layaknya keluarga karena mereka saling tidak peduli satu sama lain. Yayoi adalah wanita muda dan cantik, memiliki suami dan dua orang anak yang masih balita. Yayoi membenci suaminya karena suka berjudi, main perempuan, dan selalu memukulinya. Yoshie adalah janda yang bekerja untuk memenuhi kebutuhan keluarganya. Ia harus menghidupi anak perempuannya yang suka menghambur-hamburkan uang dan mertuanya yang lumpuh dan sakit-sakitan. Sedangkan Kuniko adalah wanita yang selalu bermimpi jadi orang kaya. Ia terjerat hutang dalam jumlah besar demi memenuhi hobinya membeli barang-barang bermerek.

Hidup mereka berjalan biasa-biasa saja sampai pada akhirnya sesuatu yang buruk terjadi. Suami Yayoi, Kenji Yamamoto, pulang pada larut malam dalam keadaan mabuk dan wajah penuh dengan bekas pukulan. Yayoi yang mencoba menanyakan hal tersebut, malah mendapat pukulan dari suaminya. Berusaha membela diri, Yayoi menjerat leher suaminya dengan tali hingga tewas. Yayoi yang panik lalu meminta bantuan teman-teman perempuannya untuk menyingkirkan mayat suaminya. Akhirnya diputuskan bahwa jalan keluar terbaik adalah dengan memutilasi mayat suaminya dan membuang potongan-potongannya di beberapa lokasi terpisah. Masalahpun terjadi ketika polisi menemukan potongan tubuh suaminya itu di tong sampah di sebuah taman. Yang terjadi selanjutnya membuat mereka tertimpa masalah demi masalah bertubi-tubi.


OUT
adalah salah satu novel kriminal paling keren yang pernah saya baca. Untuk penggemar cerita kriminal, buku ini hukumnya wajib dibaca! Penulisnya, Natsuo Kirino, menjadi pemenang Japan's Grand Prix for Crime Fiction berkat bukunya ini. Jadi tidak diragukan lagi bagaimana kualitas tulisannya. Penulisnya bisa membuat sebuah cerita kriminal yang tidak biasa, dan mampu menggambarkannya dengan sangat gamblang. Saya menyebutnya cerita kriminal yang indah dan artistik. Saya begitu tersedot ke dalam cerita sampai lupa waktu. Buku ini membuat ketagihan. Sekali pegang, dijamin tidak bisa melepaskan buku ini.

Satu hal yang luar biasa dari buku ini adalah saat penulisnya menceritakan—tepatnya menggambarkan—suatu proses mutilasi dengan begitu jelas, tahap per tahap. Alat-alat apa saja yang harus disiapkan, bagian tubuh yang mana yang harus pertama dipotong, bagian-bagian tubuh yang mana yang selanjutnya dipotong, semuanya dijabarkan secara berurutan dan sistematis. Agak vulgar memang, dan bisa berbahaya juga karena bisa menjadi panduan untuk yang ingin melakukannya. Apalagi menurut saya, sebagai seorang penggemar cerita kriminal, mereka yang menyukai cerita kriminal biasanya sedikit "sakit jiwa" seperti saya. Oleh karena itu, para penggemar cerita kriminal punya kecenderungan lebih untuk melakukan tindak kriminal. Sudah terbukti tidak sedikit mereka yang melakukan pembunuhan mendapat panduan dari buku kriminal yang dibacanya.


Tidak kalah hebatnya juga, sang penulis di bukunya ini menjadikan mutilasi sebagai lahan bisnis. Dalam buku ini diceritakan bagaimana akhirnya polisi menemukan potongan tubuh Kenji Yamamoto di tong sampah di sebuah taman. Walaupun Masako, Yayoi, Yoshie, dan Kuniko sempat ditanyai oleh petugas polisi, namun yang menjadi tersangkanya adalah seorang anggota Yakuza. Merasa bisa lepas dari tuduhan, dan dengan keyakinan bahwa polisi tidak akan mencurigai ibu rumah tangga, merekapun akhirnya menjadikan mutilasi sebagai tambang uang dengan menawarkan jasa mutilasi kepada para penjahat yang ingin menghilangkan jejak pembunuhan. Sungguh luar biasa!

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Sunday, 7 February 2010

Ide Brilian Ada di Bawah Pohon


Ada hal yang menarik yang saya temukan ketika membaca buku Middlesex karya Jeffrey Eugenides. Buku ini sudah saya bahas di tulisan saya sebelumnya. Untuk membacanya kembali, silakan lihat di sini.

Dari buku tersebut, saya sadar bahwa kita janganlah suka memandang sebelah mata pada orang yang sedang ngaso di bawah pohon. Jangan menilainya sedang bermalas-malasan saja di bawah pohon. Selain sedang istirahat, atau mungkin sekadar cari angin, mungkin dia juga sedang mencari inspirasi besar yang tidak pernah terpikirkan sebelumnya oleh siapapun juga.

Menurut legenda China kuno, suatu hari Putri Si Ling-chi sedang duduk-duduk santai di bawah pohon murbei sambil minum teh. Tiba-tiba sebutir (atau sebuah, ya?) kepompong ulat sutra jatuh ke dalam cangkir tehnya. Sang Putri berusaha mengeluarkan kepompong itu dari cangkirnya, namun ia sadar kepompong itu mengembang dan mulai terbuka di dalam air tehnya yang panas. Kepompong itu ternyata berubah menjadi helaian benang. Sang Putri lalu memegang salah satu ujung benang itu, dan menyuruh seorang dayang untuk memegang ujung satunya lagi sambil terus berjalan untuk mengurai benang itu.
         mencoba mencari inspirasi di bawah pohon                  Pelayan itu berjalan melewati kamar

tidur sang Putri, memasuki halaman istana, dan melewati gerbang istana sampai keluar dari Forbidden City (Kota Terlarang), dan akhirnya tiba di daerah perkampungan yang jaraknya setengah mil dari istana. Itulah awal mula ditemukannya kain sutra China yang terkenal ke seantero dunia. 

Cerita itu mungkin tidak banyak yang tahu. Tapi pasti semua orang tahu cerita tentang bagaimana Sir Isaac Newton—seorang ahli fisika, matematika, astronomi, dan filsafat—menemukan Hukum Gravitasi, yang mengubah pandangan orang terhadap hukum fisika alam dan menjadi dasar dari ilmu pengetahuan modern. Semua itu berasal dari pohon apel, saat Newton sedang duduk-duduk santai di bawahnya. Pada saat itu, tiba-tiba saja sebutir (atau ini juga sebuah, ya?) apel jatuh menimpa kepalanya. Dari apel yang jatuh itu, Newton mengambil kesimpulan bahwa ada suatu kekuatan yang menarik apel tersebut jatuh ke bawah, dan kekuatan itu yang kita kenal sekarang dengan nama gravitasi.

Nah, buat yang lagi buntu, lagi butuh ide, inspirasi, ilham, atau mungkin bisikan-bisikan gaib, sok silakan cari pohon terdekat.
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A real book is not one that we read, but one that reads us.
W. H. Auden
 

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